[quote name=\'tpirfan28\' post=\'243796\' date=\'Jul 7 2010, 07:10 AM\']Fun topic. Lots of good responses throughout.[/quote]
Agree! Random thoughts:
The NBC Hollywood Squares set looked magnificent when dressed and lit, with the circular staircases in place. But it spent more time in the hallway, usually about halfway between studios 1/3 and 2/4 where it was instantly identifiable but seemed smaller and far less magnificent. I remember being suprised to see so many built in lighting fixtures - three per square. At first sight it didn't seem as though the squares were big enough to hold people... indeed they weren't unless they were seated quite low.
The most memorable thing about the PYL board was its incredible noise level when standing near it. With a few dozen slide projectors and an equal number of moving mechanical shutters clicking and cycling, I was amazed that all that noise never made it more prominently into the audio mix.
I loved the Supermarket Sweep markets at KTLA, then Santa Clarita Studios and finally at NBC. In order to shoot the 360 degree angles, it was a total immersion experience. The work on some of the food props that weren't real food was quite some handiwork. Talking with Ed Flesh on that set was memorable, and at the end of the seasons the giant wedges of cheese were damned delicious - my neighbors still remember the wine and cheese party I threw after I realized my refrigerator couldn't easily accommodate more than a couple of those cheese hunks.
I was amazed by the engineering of the "Price" set pieces with the giant electrical capacitor-rheostat-motor thingies, extensive hand wiring, and the endless grafitti on the operator side of things.
The memory of all-time is the giant mechanical Concentration board at NBC-NY... click, clunk, blip, ka-cham... and watching the stage hand dial, click and flip the knobs on that home-brew controller.
Just random thoughts...
Randy
tvrandywest.com