Adding on:
Hittin Home was a shining example of how little station managers valued creatives. Michael Krauss may be familiar as the aggressive manager husband of Joan Lunden, who was Katie Couric before there was Katie--the top-rated morning news lady who middle aged males in TV secretly wished they could boff. Those connections got Michael to Post-Newsweek, who frequently dabbled in co-productions with syndicators because they owned some very successful traditional affiliates in "1A" markets like Detroit, Washington and Miami, among others. Many syndication execs of the era (especially true of Group W) came from sales roles with these stations, so plans for shows like these were done over steak, whiskey and hookers, not in production offices. Chuck was a known name who many of these execs' wives did have a crush on--and who didn't have a crush on Jo Ann Pflug? Hire some schmuck to write hype copy like this, fly everybody to NATPE, and hope a similar round of steak, whiskey and hookers gets an O and O group sold. Not this time.
If these elements look familiar: America! was a very similar concept that did get produced, and was a massively expensive bomb. Michael cast his missus in Everyday a couple of years after that--again the same concept of local news filler material interspersed with promo circuit gabbing--and also got the chance to fail. The price after that was the falling apart of his marriage and the bankruptcy of the company.
And as for Randy--well while I own up to the fact that after a few decades I may misremember a few details on dates and markets I won't ever argue on social media that I'm right when I'm not nor will I constantly hype a tell-all book with the sincerity of a certain former president he doesn't miss the chance to find the time to knock while he hypes his book?
Maybe Randy should write a tell-all about how he honestly feels about certain friends he chooses to worship in at times questionable ways?
Just sayin...