[quote name=\'hmtriplecrown\' date=\'Jun 18 2004, 09:24 AM\'] There's your double entendre for this Father's Day weekend. Enjoy! [/quote]
Some would suggest that entire show dropped balls.
As for PYL, yeah, the set looked good, but Peter's entrance was about as subdued as it gets...he walks in from the wing. Big deal.
TTTT90 is a good choice for raw class, especially with that great remix of the classic theme.
For glitz, a nod needs to be given to the Match Game Hollywood Squares Hour...you can't beat that big-ass Close Encounters light board.
Really, anytime a big set is involved, it looks like a bigger deal than it is. Consider Go! O'Connell's entrance was just up a flight of stairs, but that set was so friggin' HUGE, it still looked like a big deal. I STILL can't figure out if that whole thing rotated to set up for the Jackpot Round.
Another vote for the "class" category (though it could well qualify for "glitz", too), would be Jim Perry's entrance on <echo>$ale Of The Century</echo> He would burst through when the door opened, and you knew he was raring to go and something was about to Happen.
Finally, my vote for "crap" goes to Tic Tac Dough. Making Wink walk out of that stupid little paneled doorway looked idiotic.
(Yes, you could give one to Debt, too, but everything from the disco pose to the bad suit was quite intentional.)
(Honorable Mention: I was just watching the clip of the open to Crosswits '86, courtesy Jimmy Coyne's site, and it amazes me how David Sparks entrance could suck all of the energy from that great theme and Michelle Whatsername's announce work. Herb Shriner couldn't have done it any better.)